Lancaster Against Pipelines [fundraiser]

Our friend Dana is helping to organize the Lancaster Against Pipelines Fundraiser! My brother Jeeshaun and I will both have pieces up for auction.

I decided to send in this set of 8 prints, called "Rumugu," from the Dabba Card series I made last year. Each print has a little paper slip attached, with this background info written on it: 

RUMUGU: A type of Nature God, the name meaning “water source.” The top halves of their bodies look like human beings, while the lower halves resemble reptiles’ tails. These deities come in twos, with a pair assigned for each of the four compass directions (North/ South/ East/ West). 
This Rumugu color-print is from a commissioned series called “Dabba Cards” by artist Dava/ Frog Wing (working under the name WuZhimi). The Mosuo are an ethnic group with a traditionally matrilineal society, and Dabba is the name of their folk religion that values a balanced relationship between Humans and Nature. These paintings were based on a set of original Dabba cards that were used in rituals for expressing apology/ gratitude to water. The rituals are held near water wells, community pools, springs, rivers, or at other similar sites where human beings take and use water for daily consumption. 

You can find the original versions of these prints in the Dabba Ritual Room at the Luoshui Mosuo Museum, which is located at the edge of Lugu Lake in Yunnan Province, China. 

For more info: www.theparhelia.com // Or contact Dava directly: theparhelia@gmail.com

EVENT DETAILS:

Lancaster Against Pipelines (LAP)- A non-profit grass-roots coalition of county residents opposing the Atlantic Sunrise Pipeline, a natural gas pipeline aiming to transport fracked natural gas from northern PA to an international export station in the Chesapeake Bay. These funds specifically will support an encampment along the proposed route of the pipeline.

-Date: Sat, Feb 18th 5PM-Close

-Location: Kennett Brewing Company 109 S Broad Street, Kennett Square PA

[Ancient tomorrow] Movie Premiere

WATCH: https://vimeo.com/ondemand/ancienttomorrow Amazon: https://amzn.com/B01KWZT832 A young man driven to help the earth embarks on a journey around the world to investigate the secrets behind a lost pyramid energy technology. Ancient Tomorrow is a non-fiction 90 minute documentary film that chronicles the trials and tribulations of a young ecovisionary (JJ Yosh) who discovers an ancient technology that might be our only chance for survival.

I was invited to attend the Ancient Tomorrow movie premiere at the Ahrya Theater in Beverly Hills last week, so I went my brother Jee-shaun and our friend Blake. We finally got to meet Dan Shaw (vortex detective) from VortexMaps.com.

Our Molecule-Orbs are featured in this post-premiere interview with Dan Shaw, JJ Yosh, Ann Seid, and Oliver Ades. Thanks Dan! This is a Facebook "live video" so i cant repost it here on my site; here is a screenshot instead. I want to transcribe some of the commentary in this interview, for later reference, just in case. 

***DISCLAIMER: To be clear, I do not think the pyramids were "built by aliens"

and I am aware that some people find the idea offensive. I do believe the pyramids were built by the human societies located in their respective geographic regions (Peruvians in Peru, Egyptians in Egypt, Chinese in China, etc). I do not believe there is any kind of conspiracy network surrounding the vortex sites, attempting to keep us from knowing some kind of "hidden truth" that we're "not supposed to know," aside the alienating language and rumors used by some of the conspiracists themselves.

However, I do suspect that vortex sites around the world illuminate commonalities between our intuitive and logical processes as a species, especially what we assume is driven by/ towards divinity (or an otherwise authoritarian decree)- and that our actions unknowingly reinforce geometric planetary structures- and that these phenomena deserve further questioning and deeper investigation, especially now that we have instantaneous global communications/ travel technologies/ tense political relationships to boot.

JJ Yosh brought this conversation to the big screen, and I'd love to talk more about this later, but for now here's a blog post with a couple of links as a placeholder.... TBC. See you soon. 

365 Videos Project

I started this project where i post 1+ video per day, every day for a full year. Most of the short videos are uploaded on Instagram (because its faster and easier to do), but some videos will be uploaded on Youtube or elsewhere. Considering it as an exercise in educating myself about video-making, documentation, social media/ algorithms, and public presentation of my working process 

IG: @365videosproject 

Youtube: 365videosproject@gmail.com

ghost yak

Ghost Yak is a like a spiritual garbage truck. If/ when you hear the cymbal ringing, you can go get your garbage can of unwanted memories, thoughts, and dreams, and bring them out onto the street corner. Leave them with the Ghost Yak and it will take and carry them into the Center of the Earth and set them all on fire. And then you'll never have to worry about those things in the same old way again. 

Happy New Year/ best wishes for your 2017.

Clip from "Clown Triggers" /// video by Khokhoi

Bell Foundry Fundraiser

The Bell Foundry in Baltimore (where I briefly lived and worked at this summer) was shut down earlier this month, following the Ghost Ship fire in Oakland. Residents were evicted with only an hours' notice to gather their belongings. If you'd like to help fund the rebuilding process, please see their campaign here

Satellite Fair/ Miami 2016

-edited-

-for the need to look back and rethink-

 


Room #23 all together (Rindon Johnson, Sarah Wang, Sessa Englund, Shaina Yang, Shanti Lalita, Dava/ Frog Wing). 

Room #23 all together (Rindon Johnson, Sarah Wang, Sessa Englund, Shaina Yang, Shanti Lalita, Dava/ Frog Wing). 

From the group statements:

"DAVA / FROG WING- Various artifacts from the ongoing Dongba research project. The sketchbook is visual documentation of this year’s trip to Mongolia. The yak skull developed as a companion on that journey. 

3 performances: Thursday- Art is Never Ready, Friday- Book Reading, and Saturday/ Sunday- Zuud (Dream). /// Contact Frog for times: theparhelia@gmail.com /// 917-yyy-zzzz"


***THANK YOU: to Disclaimer Gallery, to my fellow artists, and all our supporters for sharing this experience with us! Your trust is invaluable! and for that, I am grateful. 

reinterpreting USA

in Cali and prepping towards the upcoming show in Miami (Dec. 1-4). Somewhat stressed and worried most of the time, about everything, anything, or nothing in particular. Trying my best, doing what i can do, whatever that might be.

Spent a few days working at Hunt Studios with my brother and his coworkers. Thanks for all the help! Much appreciated. 

ACC application

Q: What is your proposed project? What are your intended objectives?

I propose to study Mongolian shamanic ritual and dance philosophy. 

I will pursue this from the perspective of an active student of Dongba religion, as well as an American-born artist with Mongolian ancestry. “Dongba” is the traditional animist belief system of the Naxi ethnic Chinese in Southwest China; Dongba is also the name of the shaman-priests who retain ritual knowledge for their communities. I have lived and worked seasonally with Dongba in Yunnan province since 2011. My formal studies in Dongba began in 2013, when I was accepted as a student apprentice and given the name “Wu Zhimi.” Since all Dongba students in recent memory have been male and of Naxi descent (and I am neither), people see Wu Zhimi as an anomaly; The project raises questions of gender, ethnicity/ nationality, and locality within religious/ spiritual practices. 

Mongolia specifically interests me because their shamanic practices are closer to my own ethnic heritage than Dongba culture of the West. In the book Shamanism, Mircea Eliade writes that shamanic practitioners have higher success rate if operating under hereditary traditions. I have heard a similar claim from Buddhist teachers- that chanting ancestral mantras is more effective than using the language of a religion to which you have converted. Contemporary artists, in some ways, perform roles in their communities that are similar to those of shamans of the past. I aim to uncover how Mongolian shamanic traditions may shape my identity today, and incorporate that into my visual arts and performance-based work. 

Many similarities exist between the practices of Mongolian and Naxi shamans. According to John Matthews in The Shamanism Bible, records indicate of a unified culture that once stretched “across Russia, China, Mongolia, Tibet, Nepal, and Persia.” (p.76) Although Mongolia lies on the opposite side of China from Yunnan, Dongba text uses specific pictograms for Mongolia and its people. Do Mongolian peoples recognize the Naxi Dongba in a reciprocal way? 

I plan to locate Mongolian shamans and converse with them about their practices, using Dongba as a comparative base. The conversation will form as a continuation of the dialogues already taking place in Yunnan and America. 

I will interview practitioners informally, observe the ways they live and work (particularly regarding dance, trance, and consultations), and learn about healing methods and herbs. 

My main objectives are to learn and exchange information, to immerse myself in the Mongolian shamanic community as an agent of Dongba culture and Taiwanese-American retrospection. I hope to: A) take Dongba outside of the Yunnan area and bring it to other parts of the world; B) reconnect with Mongolian aspects of my heritage, and re-incorporate it into my identity; C) expand my network of international shamans to include those in Mongolia; D) engage Dongba and Mongolian shamanism in a contemporary shamanic conversation; and E) bring this set of exchanges back to North America (where I was born and raised), where I will re-contextualize what I learned, via my own artworks and performances.


Q: What is the impact you hope your project will have on your home community, and/or your artistic field?

According to Oleg Dorzhiyev, a Russian shaman, shamanic worldview accesses the Universal- to see people as part of a single unified network, along with plants, animals, minerals, and other environmental/ cosmic phenomena. This project is part of a long-term exploration that attempts to define and reframe the nature of the universal human condition in our current globalized era.

We might consider the Naxi/ Dongba and Lijiang Studio international network as my “home community.” My studies in Mongolian shamanic practices will provide a cultural framework for WuZhimi to connect and merge with, as well as extend the reality in which we observe a “sister entity” juxtaposed and conversant with Dongba religion of the Southwest. I am curious as to how Mongolian communities receive information about Dongba religion, and how Dongba sources will react towards the exchanges made. Perhaps this may provide support for those who struggle to see how ancient shamanic tradition survives in post-industrial, post-modern circumstances. 

I also see certain North American creative hubs as my “home community” (especially Brooklyn, New York, where I am based as a working artist). My deepened understanding of my own cultural identity will serve to inform my work and those who witness and communicate with it, and this can diversify the cultural climate that I participate in. I work mainly in the fields of visual and performance arts, where it is not so common to see voices with a background exactly like mine- though I know many practicing artists out there who relate with different facets of my identity. In part, I will investigate, which aspects of my work appeal more or less to American audiences— and why?

Furthermore, I hope these developments lend to legitimize Wu Zhimi as a Dongba-student-practitioner. It will be interesting to observe what ideas and beliefs I am able to trace conceptually to “original” ancestral sources, and to see how they relate with concepts I have studied in China and America. I want my learning to be useful to others, especially those who can relate with me- whether as Asian-American artists/ diaspora, or as queer/ female spiritualists, or international students of shamanism, etc. 

It is fair to say that, since this project is exploratory in nature, and perhaps still in its early stages, I am not ready to discuss its potential social impact. It is possible that this first trip to Mongolia sets groundwork and makes initial connections for further research in the future. Ideally, my experience with this project should contribute toward some level of common identity and our communal understanding of each other as human beings- whether on a cultural/ subcultural, national, or global level. 

omw to Mongolia

LAX Airport staffs laughing at my ticket asking wth is Ulaanbaatar and what is even out there? as in "What were you, like, the last person left in the office, so that they had to send you out on this job?’ (actual quote) LOL.

Many thanks to Jay Brown, Michelle Trick, Jared Fischer, the ACC. I wouldn't actually be here if it weren't for you. 

Americans can stay up to 90 days in Mongolia without a visa. I’m staying for 89. Dunno anyone there (yet), but i’ll figure things out when i arrive. Comment or message and tell me what kind of info (Q&A), action, or object you’d like, regarding Mongolia; I’ll consider and/or do my best to make it happen.

By definition, shamans serve their communities. Without a community, a shaman is merely a lone sorcerer. (Q: What is a "community"?* And who are your communities?) 

See y’all in October.


Community (n.) (Plural: communities)

  1. a group of people living in the same place or having a particular characteristic in common

  2. a feeling of fellowship with others, as a result of sharing common attitudes, interestsand goals

  3. Ecology a group of interdependent organisms of different species growing or living together in a specified habitat

Origin: late Middle English: from Old French comunete, reinforced by its source, Latin communitas, from communis (see: common). 

End of Primordium tour/ beginning of something else

I decided that the Primordium Tour should end with the Pericardia show in Baltimore- because good timing, but also because the symbolism seemed fitting. Tour named Primordium, ends at Pericardia. 

Thanks to friends + family in Puerto Rico, Nicaragua, California, Yunnan, Baltimore, Philadelphia, and New York, especially those who hosted me and fed me- thank you so much! And also to others from elsewhere who passed through town, sent a message/ challenge/ posi vibes, or talked on the phone... All that matters, thanks for that, too. Let me know when and how I can return a favor. 

Special thanks to the Poncili House, Aztlan-Shangrila, Lijiang Studio, G.G.Nix, Nomad Rhizome, City Bird, Disclaimer Gallery, Holy Underground, and the Bell Foundry. I considered making a list of names and tagging everyone, but it might a long list, and I'm afraid i might miss anyone on accident, and i know some people don't like being tagged! so to make life easier i'm just not gonna do it, but now you know i almost tried.

We're halfway through 2016 and I'm working hard; there's always more to do from the List... I think this year I've been trying to make up for past stagnation and invisibility or not doing enough. Its still a struggle, time is limited, I've got all these sides to amalgamate, details to adjust. I care about you, and these ideas, but I've only got 1 brain/body and 24/7 of time. I think. It takes focus (or luck) to hit a target. Sometimes everything is a mess. Sometimes I'm already feeling tired but I can't break momentum now. Also, btw, I read that narcissists are proven to make better artists (???) and I feel conflicted about that, I just dont understand why that would be true- unless artists are definitely hypnotists whether they like it or not!

Since 2005 I've havent lived anywhere for more than a year, and lately I've been thinking that maybe I should give that a shot, see how it goes. Would be great to set up a workshop/ studio somewhere, have my own room again, set up a new rhythm of life. I still don't know about 2017 for sure- where I will be or what I'll be doing. It would be cool to finally get a driver's license though. Then I can work towards my longtime dream of operating an ice cream truck puppet theater...

p.s. today is my dads birthday, happy birthday dad // 爸爸生日快樂

Baltimore

Here from mid-May thru late June (tentatively). Nice to be back. 

Cut+paste Dabba banners at the Bell Foundry (photo by Que// IG: bmorealien)

Cut+paste Dabba banners at the Bell Foundry (photo by Que// IG: bmorealien)

Working on an artist residency at the Holy Underground- engaging with the front window as a slowly shifting installation. This is the second attempt, so maybe we can call it a Part II (Part I started in 2014). If you live in town, come by this way! Tune in sporadically for news.  I'm thinking of setting up a Suggestion Box out by the sill, as a venue for feedback.