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Camel House Group Show

December 31, 2014 Frog Wing
MuLenxi and HeQiang with a Kite 

MuLenxi and HeQiang with a Kite 

"Vesica Piscis" 

Date: December 7th, 2014

stories: Viccy Adams, photography: Samantha Silver, drawings/ installation: CJ Hill, sculpture: Frog Wing, Dongba funeral scroll: HeXiudong + WuZhimi

Curated by Frog Wing

more photos and info [here]

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Working @ JiyunSi

December 13, 2014 Frog Wing

Sitting outside JiyunSi Tibetan Buddhist temple in Lashihai, painting colors on the scroll while waiting for Eric (our Canadian visitor). Monks approaching me to chat- a mutual curiosity. 

A lady counting prayer beads, chanting under her breath, came over to watch me paint. She didn't say anything, but nodded and made cooing sounds of approval.

Later, after she walked away, I asked someone who she was, and they told me that she was the mother of one of the monks, visiting him on site. 

A van pulled up, parked nearby. Monks started running back and forth with huge piles of blankets, carrying cardboard boxes, shouting and waving a framed portrait of an older Lamaist. I asked what was happening, and one responded that some of the monks are "moving upstairs." 

I asked why, and he gave me an answer that I didn't understand. Most of the ones I asked, told me they lived downstairs. When asked what was the difference, they couldn't explain. When asked if there was division by age, one said, "no."

Together they dragged giant empty steel vats across the stone floor in unison, which created a low humming, droning buzz… echoing through the trees.

I asked what it was for, and they answered: “For garbage!”

-------------------------------------------

When Eric returned, he was happy to announce that he met a guy from Shenzhen at the temple, someone who came up to him and started speaking English. 

The man said that he wasn't Buddhist, but he was volunteering there because his wife was Buddhist, and she said that there would be no love if he didn't try doing this thing. He signed on to do six months, but admitted to Eric that he didn't think he could ever be Buddhist.

"All this stuff on the walls… Buddhism is so complicated! I just don't get it," he said.

I thought he should try Daoism or Zen Buddhism; those are much simpler versions of similar philosophies. Tibetan Buddhism is super-complicated. It's flowery, ornate, grandiloquent. Sometimes I see Dongba as her more relaxed, flexible, moderately anarchic cousin. 

Eric said that when he peeked inside the temple, where young monks were playing drums and trumpeting long metal horns and chanting, one monk had a balloon and was letting it deflate loudly, mimicking the holy horn-blowing in a hilariously comical way. 

To see website chapter on the scroll, check here: Roads to Heaven

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Coloring Xiuqu @ Black Dragon Pool

October 7, 2014 Frog Wing

Working at the Dongba Research Institute, located inside Black Dragon Pool.

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Langyo + Ciuqu: Drawings in Progress

October 7, 2014 Frog Wing
Langyo on the left, Xiuqu on the right

Langyo on the left, Xiuqu on the right

When I went up to Tacheng village to attend a Nature God Ritual, HeXiudong's cousin YanJiahua, the paper-making Dongba, asked me to make a drawing of Langyo for him. He gave me two pieces of his homemade Dongba paper to work with, and photocopies of original linework by Mu Cheng to base the drawing on.

I started a separate drawing of Xiuqu (Dapeng Bird, aka Garuda) on the smaller piece. 

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@ Lijiang Studio

September 18, 2014 Frog Wing
White Crane with Egg, from the Qilin Dance /// photo: Yasuhiro Morinaga

White Crane with Egg, from the Qilin Dance /// photo: Yasuhiro Morinaga

Curating current session at Lijiang Studio (July-Dec): Vesica Piscis

Updating blog weekly: www.lijiangstudio.org

Also building new website for personal work.... here.

 

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"SOUP" at ConArtist Gallery

March 31, 2014 Frog Wing
photo: F. Wing

photo: F. Wing

Dates: February 18th to March 8th

SOUP is about different aspects of the human identity coming together to define our existence. Personal image, social relationships, and the consciousness of the collective organism combine into a simpler, unified form. What appears to be disorganized or random may just be a pattern of a higher level of organization, as of yet indiscernible to the human eye. Four artists' works fold down, fold in, and amalgamate, transforming the gallery space itself into a singular installation with a common narrative between separate pieces.

Featuring the work of: Lady Millard/ Shaina Yang/ Frog Wing / Jasper Fields

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